ddesign - A plan, or to plan. The organization or composition of a work; the skilled arrangement of its parts. An effective design is one in which the elements of art and principles of design have been combined to achieve an overall sense of unity.

Also, the production of attractive and well crafted functional objects. Subcategories of the design arts include: architecture, bonsai, fashion design, furniture design, graphic design, ikebana, industrial design, interior design, landscape architecture, stagecraft, textile design, and Web page design.


Examples of objects which were designed:




see thumbnail to leftKorea, Openwork Incense Burner, first half of the 12th century, celadon glazed porcelain, height 15.3 cm, National Museum of Korea. While fulfilling its function, the design of this incense burner juxtaposes plant and animal motifs with geometric openwork. See Korean art.


a photo of a pencil





see thumbnail to rightKaspar Faber (German, 1730-1784), manufactured by Faber-Castell, Germany, Lead Pencil, 1761, graphite and cedar wood. See pencil.




see thumbnail to leftWalter Hunt (American, 1795-1859), manufactured by A. Meyers & Sons Corp., USA, Safety Pin, 1849, steel. These illustrations are from Hunt's patent application.






see thumbnail to rightThomas Alva Edison (American, 1847-1931), manufactured by Edison General Electric (now GE Lighting), USA, Incandescent Light Bulb, 1879, glass vacuum bulb, tungsten filament, and aluminum base.



Carlo Bugatti (Italian, 1856-1940), Bugatti Table, wood (mahogany?), cast and gilded metal mounts, inlays of ivory or bone, metal, and mother-of-pearl, height 71.1 cm, c. 1910, Tea and Coffee Service: Carlo Bugatti designer, executed by A.A. Hebrard, silver and ivory, c. 1907, Cleveland Museum of Art.



a photo of a pencil


see thumbnail aboveHyman Lipman (American), manufactured by Faber-Castell, Germany, Wooden Pencil with Eraser, 1858, graphite, cedar wood, rubber, and metal ferrule. See pencil.




see thumbnail to rightPeter Behrens (German, 1869-1940), designer, manufacturer: Allgemeine Elektricitæts Gesellschaft (A.E.G.), Germany, Fan Model No. GB 1, 1908, painted cast iron and brass, 11 1/2 x 10 3/4 x 6 inches (29.2 x 27.3 x 15.3 cm), Museum of Modern Art, NY.




see thumbnail to leftAmerican, manufactured by Fruit of the Loom, USA, White T-Shirt, 1910s, cotton.




see thumbnail to rightEliel Saarinen (American, born Finland, 1873-1950), designer, Manufacturer International Silver Company, Wilcox Silver Plate Company Division (Meridan, Connecticut), Prototype Tea Service, c. 1933-35, electroplated nickel silver, brass, and Bakelite; Tea Urn, 1a-c: 14 1/2 x 7 3/4 inches (36.8 x 19.7 cm) Tray, 2: diameter 17 1/2 inches (44.5 cm) Creamer, 3: 3 x 6 x 3 7/8 inches (7.6 x 15.2 x 9.8 cm) Sugar Bowl, 4a,b: 6 3/4 x 6 x 3 7/8 inches (17.1 x 15.2 x 9.8 cm) Large Tray, 5: diameter 20 1/4 inches (51.4 cm), Metropolitan Museum of Art, NY. See prototype.




see thumbnail to leftSven Wingquist (Swedish, 1876-1953), designer, manufacturer: SKF Industries, Inc., USA, Self-Aligning Ball Bearing, 1929, chrome-plated steel, 1 3/4 x 8 1/2 inches (4.4 x 21.6 cm) diameter, Museum of Modern Art, NY. MOMA's site says, "Good design was considered by modernists as essential to the elevation of society, and in 1934, this ball bearing was among the first works to enter The Museum of Modern Art's design collection." See circle and technology.






see thumbnail to rightOtto F. G. Sundback (Canadian, born Sweden, 1880-1954), Zipper, 1913, brass and fabric. This is an illustration from Sundback's 1914 patent application for a "separable fastener" that Sundback also called a "hookless hooker."



Richard G. Drew (American, 1886-1956), manufactured by 3M Company, USA, Scotch Tape, 1930, transparent cellophane adhesive tape.



see thumbnail to leftLudwig Mies van der Rohe (German-American, 1886-1969), designer, "MR" Armchair, 1927, chrome-plated steel and painted caning, 31 1/2 x 22 x 37 inches (80 x 55.9 x 94 cm), Metropolitan Museum of Art, NY. This was developed from a 1924 design for a cantilevered chair by Mart Stam. It was introduced by Mies van der Rohe at the 1927 Stuttgart exhibition and has remained in production ever since. Mies van der Rohe was the last director of the Bauhaus design school in Dessau, from 1930 until its closing in 1932.




see thumbnail to rightLudwig Mies van der Rohe, Barcelona Chair, 1929, chrome-plated steel and black leather.



see thumbnail to leftEva Zeisel (American, born Hungary, 1906-), designer; Schramberg Majolica Factory (Schramberg, Germany), manufacturer, Inkwell, 1929-30, glazed earthenware, 3 3/8 x 9 x 9 3/8 inches (8.6 x 22.9 x 23.8 cm), Metropolitan Museum of Art, NY.




see thumbnail to rightFerdinand Porsche (German, 1875-1952), manufactured by Volkswagenwerk AG, Wolfsburg, Germany, Volkswagen Type 1 Sedan, 1938, steel, etc., 59 inches x 60 1/2 inches x 13 feet 4 inches (149.9 x 153.7 x 406.4 cm), Museum of Modern Art, NY. The design was originally produced to satisfy the interest of Germany's Nazi government to manufacture a "people's car" affordable to everyone. This design became popular for several decades as the VW Beetle.



see thumbnail to leftCharles Eames (American, 1907-1978), manufactured by Evans Products Co., Molded Plywood Division, Venice, CA, Leg Splint, 1942, molded plywood, 4 1/8 x 7 3/4 x 42 inches (10.5 x 19.7 x 106.7 cm), Museum of Modern Art, NY.





see thumbnail to rightCharles Eames, manufactured by Evans Products Co., Molded Plywood Division, Venice, CA, Three-Legged Side Chair, c. 1944, stained molded plywood, lacquered metal rod, rubber shockmounts, and rubber glides, 30 x 19 x 22 1/2 inches (76.2 x 48.3 x 57.2 cm), Museum of Modern Art, NY. The back and seat pieces were shaped to the contours of the human body.




see thumbnail to leftGodtfred Kirk Christiansen (Danish, 1920-1995), manufactured by LEGO Group, Billund, Denmark, LEGO Building Bricks, 1954-58, ABS plastic, .1: 7/16 x 1 1/4 x 5/8 inches (1.1 x 3.2 x 1.6 cm) .2: 7/16 x 15/16 x 5/8 inches (1.1 x 2.4 x 1.6 cm) .3: 7/16 x 5/8 x 5/8 inches (1.1 x 1.6 x 1.6 cm).




see thumbnail to rightErnest C. Higgins (American), manufactured by Ernest C. Higgins Co. (Allan Follet), Norwood, MA, Goalie Mask, 1964, fiberglass, 10 1/2 x 7 3/4 x 5 3/16 inches (26.7 x 19.7 x 13.2 cm), Museum of Modern Art, NY.




see thumbnail to leftCarl Elsener (Swiss, 1860-1918), manufactured by Victorinox, Ibach, Switzerland, Victorinox Swiss Officers' Knife Champion (no. 5012), 1968, plastic and stainless steel, 3 5/8 x 1 x 1 1/8 inches (9.2 x 2.5 x 2.9 cm), Museum of Modern Art, NY.



S. C. Johnson & Son, Inc., USA (established 1886), Ziploc Bag, 1972, polyethylene plastic.




see thumbnail to leftFrank O. Gehry (American, born Canada, 1929-), designer, Easy Edges, c. 1972, side chair, corrugated cardboard, 33 x 14 1/2 x 23 inches, Minneapolis Institute of Arts. See architect.




Art Fry (American, 1931-) and Spencer Silver (American, 1941-), manufactured by 3M, USA, Post-it Note, c. 1977, paper and adhesive.




see thumbnail to rightBob Hall (American, contemporary), manufactured by Hall's Wheels, Cambridge, MA, Racing Wheelchair, 1986, aircraft steel tubing, cotton, and nylon, 23 5/8 x 25 x 45 inches (60 x 63.5 x 114.3 cm).




see thumbnail to leftMichael Graves (American, 1934-), manufactured by Alessi, Salt Shaker and Pepper Mill, 1988.




see thumbnail to rightSynthetic Industries, company design and manufacture, Chattanooga, TN, Pyramat Erosion Mat, 1992, polypropylene, 78 x 120 x 1/2 inches (198.1 x 304.8 x 1.3 cm), Museum of Modern Art, NY.





see thumbnail to leftApple Computer Inc., iPod, 2001, digital audio player, injected molded ABS plastic, silicon, etc., 4.02 x 2.43 x 0.78 inches. The first iPod had a 5 GB storage capacity, enough for 10 hours of playing time. Later versions added storage capacity and other features. Apple Computer has led all other electronics companies in design elegance, power, and ease of use.




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Also see art, art careers, artist, Arts and Crafts Movement, ASTM International (American Society for Testing and Materials), CAD, choose, clip art, counterpoint, ergonomics, esquisse, heraldry, Index of American Design, interdisciplinary, letterform, specifications, and style.






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