MMadonna - In Christian tradition, the Virgin Mary, often portrayed with her son, Jesus Christ.

When seen in certain particular situations, the Virgin Mary's image may be referred to as a pietà or a sacra conversazione. She is often shown as radiating an aura called variously a halo, a gloriole or glory,or a mandorla.

In contemporary popular art, the stage name of the American singer and actress Louise Veronica Ciccone.


Examples of works depicting the former:




see thumbnail to leftSimone Martini (Italian, c. 1284-1344), Madonna from the Annunciation, 1340-1344, tempera on wood panel, 12 x 8 1/2 inches (30.5 x 21.5 cm), State Hermitage Museum, St. Petersburg, Russia.




see thumbnail to rightByzantium, The Cambrai Madonna, c. 1340, Metropolitan Museum of Art. About a hundred years after it was produced, Canon Fursy de Bruille acquired this icon in Rome. He was told that it was a holy relic: it had been painted by St. Luke himself. In 1440, the canon gave the painting to the Cathedral of Cambrai, France, where thousands of pilgrims saw it. The image shows Jesus squirming in his mother's arms. Mother and child, doleful and shy, turn slightly toward us, as if they are watching or waiting for something. The Cambrai Madonna conforms to a type, "the Virgin of Tenderness," an invention of the late Byzantine era. See Byzantine art.




see thumbnail to leftRobert Campin (Master of Flemalle) (Netherlandish, active, 1406-1444), Madonna and Child before a Fireplace, oil on wood panel, 13 x 9 1/2 inches (34.3 x 24.5 cm), Hermitage Museum, St. Petersburg, Russia.



Donatello (Italian, 1386-1466), Pazzi Madonna, c. 1422, marble relief, 74.5 x 69.5 cm, Bodemuseum, Berlin. See a Donatello site [text in Italian].




see thumbnail to rightDieric Bouts (Netherlandish, active by 1457, died 1475), Virgin and Child, c. 1455-60, oil on wood panel, 8 1/2 x 6 1/2 inches (21.6 x 16.5 cm), Metropolitan Museum of Art, NY.



Giovanni Bellini (Italian, 1430/40-1516), Madonna with Saints, 1505, altar painting: oil on wood, transferred to canvas, 158 1/2 x 102 1/2 inches (402 x 273 cm), church of St. Zaccaria, Venice.



Sandro Botticelli (Italian, 1444/5-1510), Madonna of the Magnificat, c.1485, tempera on wood panel, tondo, diameter 118 cm, Uffizi, Florence.



Sandro Botticelli, Madonna of the Pomegranate, Madonna and Child and six Angels, c. 1487, Uffizi, Florence.





see thumbnail to rightLeonardo da Vinci (Italian, 1452-1519), Madonna with a Flower (Benois Madonna), begun 1478, oil on canvas, 19 1/2 x 12 1/2 inches (49.5 x 33 cm), State Hermitage Museum, St. Petersburg, Russia. See sfumato.




see thumbnail to leftLeonardo da Vinci, Madonna Litta, c. 1490-91, tempera on canvas, transferred from panel, 16 1/2 x 13 inches (42 x 33 cm), Hermitage, St. Petersburg, Russia. See sfumato.




see thumbnail to rightGerard David (Netherlandish, born about 1455, died 1523), The Rest on the Flight into Egypt, c. 1512-15, oil on wood panel, 20 x 17 inches (50.8 x 43.2 cm), Metropolitan Museum of Art, NY. See chiaroscuro, drapery, Northern Renaissance, and vignette.




see thumbnail to leftLucas Cranach the Elder (German, 1472-1553), The Virgin and Child under an Apple Tree, 1520-1526, oil on canvas (transferred from panel), 34 x 23 inches (87 x 59 cm), Hermitage Museum, St. Petersburg, Russia.




see thumbnail to rightMichelangelo Buonarroti (Italian, 1475-1564), Madonna of the Stairs, 1489-92, marble bas-relief, 21 3/4 x 15 3/4 inches (height 55.5 cm), Casa Buonarroti, Florence. Perhaps the earliest of his sculptures to survive, Michelangelo conceived and executed this bas-relief when he was between fourteen and seventeen years old. To see numerous other sculptures by Michelangelo visit 1200 years of Italian Sculpture.




see thumbnail to leftRaphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483-1520), Madonna and Child (Madonna Conestabile), 1502/3, tempera on canvas (transferred from panel), 7 x 7 inches (17.5 x 18 cm), State Hermitage Museum, St. Petersburg, Russia. See Renaissance.




see thumbnail to rightRaphael (Raffaello Sanzio or Santi), Madonna and Child Enthroned with Saints, altarpiece, c. 1504, tempera and gold on wood; main panel, overall 67 7/8 x 67 7/8 inches (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 inches (169.5 x 168.9 cm); lunette, overall 29 1/2 x 70 7/8 inches (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 inches (64.8 x 171.5 cm), Metropolitan Museum of Art, NY. (On the Met's page, you can enlarge any detail.)



Raphael (Raffaello Sanzio or Santi), The small Cowper Madonna, c. 1505, oil on wood panel, 23 3/8 x 17 3/8 inches (59.5 x 44 cm), National Gallery of Art, Washington, DC.



Raphael (Raffaello Sanzio or Santi), Granduca Madonna, c. 1505, oil on wood panel, 33 x 21 1/2 inches (84 x 55 cm), Pitti Palace, Florence.




see thumbnail to leftRaphael (Raffaello Sanzio or Santi), The Holy Family (Madonna with the Beardless Joseph), 1506, tempera on canvas (transferred from panel), 28 1/2 x 22 1/2 inches (72.5 x 56.5 cm), Hermitage Museum, St. Petersburg, Russia.




see thumbnail to rightTitian (Tiziano Vecellio) (Italian [Venetian], 1477/90­1576), Madonna with saints and members of the Pesaro family, 1519-26, altar-painting: oil on canvas, 188 1/8 x 104 3/4 inches (478 x 266 cm), Church of Sta Maria dei Frari, Venice.



Attributed to Jacopo Carrucci da Pontormo (Italian, Florence, 1494-1557), Madonna and Child with Two Angels, c. 1525, oil on linden wood panel, 40 1/4 x 31 inches, Legion of Honor, San Francisco. See Mannerism.



Elisabetta Sirani (Italian, 1638-1665), Virgin and Child, 1663, oil on canvas, 34 x 27 1/2 inches, National Museum of Women in the Arts, Washington, DC. See Baroque.



see thumbnail to rightFrancesco de Mura (Italian, Naples, 1696-1782), The Madonna and Child with the Infant St. John, 18th century, oil on copper, 10 1/4 x 8 inches, Minneapolis Institute of Arts.






see thumbnail to leftFrançois Boucher (French, 1703-1770), Virgin and Child with the Young Saint John the Baptist and Angels, 1765, oil on canvas; oval, 16 1/8 x 13 5/8 inches (41 x 34.6 cm), Metropolitan Museum of Art, NY. See Rococo.






see thumbnail to rightHippolyte (Paul) Delaroche (French, 1797-1856), The Virgin and Child (Marie dans le desert), 1844, oil on canvas, relined, 147.7 x 87.5 cm, Wallace Collection, London.



see thumbnail to leftFranz Ittenbach (German, 1813-1879), Madonna and Child, 1855, oil on canvas, 43 3/4 x 33 3/4 inches, Minneapolis Institute of Arts. See German art.




see thumbnail to rightFord Madox Brown (English, 1821-1893), 'Take your Son, Sir', c. 1851-92, oil on canvas, 70.5 x 38.1 cm, Tate Gallery, London. Although this image is madonna-like, it does not necessarily depict Mary and Jesus. Brown began it as a study of Emma, his second wife, but left it incomplete until he introduced the figure of their infant son five years later. This composition has most often been interpreted as a celebration of marriage. The painting has also been considered a contemporary life subject in which a kept woman offers her illegitimate child to its father, who is seen reflected in the mirror. See Pre-Raphaelite Brotherhood.





see thumbnail to leftEdvard Munch (Norwegian, 1863-1944), Madonna, 1895-1902, lithograph and woodcut, complete: 23 3/4 x 17 1/2 inches (60.5 x 44.5 cm), edition: c. 250, Museum of Modern Art, NY. This was exhibited in the influential Armory Show of 1913. See Expressionism and Symbolism.






see thumbnail to rightG.K.Odell (Canadian), Keep these Hands Off! Buy the New Victory Bonds, c. 1941-45, poster commissioned by the Canadian government; National Archives and Records Administration, Washington, DC. Dark, claw-like hands marked with the Nazi swastika and Japan's rising sun threaten the safety of a mother and infant. Is this a Madonna or an analogy to a Madonna? See propaganda.



Also see Pietà and statue.






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