Photographs by photographers born 1880 - 1899:
Alvin Langdon Coburn (American, 1882-1966)
Imogen Cunningham (American, 1883-1976), Calla, from the series "Pflanzenformen", 1929, gelatin silver print, 28.0 x 24.1 cm, George Eastman House, Rochester, NY. See feminism and feminist art.
Imogen Cunningham, Alfred Stieglitz in American Place, 1934, gelatin silver print, 24.1 x 19.0 cm, George Eastman House, Rochester, NY. See Photo-Secession.
Imogen Cunningham, Self-Portrait, 1974, printed 1981, Los Angeles County Museum of Art.
Charles Sheeler (American, 1883-1965), Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company, 1927, depicted: Michigan, United States of America, gelatin silver print, 23.5 x 18.8 cm (9 1/4 x 7 3/8 inches), Metropolitan Museum of Art, NY. See Precisionism.
Charles Sheeler, Wheels, 1939, gelatin silver print, 6 5/8 x 9 5/8 inches (16.8 x 24.4 cm), J. Paul Getty Museum, Malibu, CA.
James Van Der Zee (American, 1886-1983). See African-American art: Harlem Renaissance.
Edward Weston (American, 1886-1958), Robinson Jeffers, 1929, gelatin silver print, 9 3/4 x 7 1/2 inches, Estate of Lou Stouman.
Edward Weston, Pepper No. 30, 1930, gelatin silver print, 9 7/16 x 7 1/2 inches, Minneapolis Institute of Arts. See still life.
Edward Weston, Cypress Grove, Point Lobos, 1940, gelatin silver print, 7 5/8 x 9 5/8 inches.
Man Ray (born Emmanuel Rudnitzky) (American, 1890-1976), Compass, 1920, gelatin silver print, 11.7 x 8.6 cm (4 5/8 x 3 3/8 inches), Metropolitan Museum of Art, NY. See Dada.
Man Ray, Untitled (self-portrait cast in plaster with mannequin hands, angular ball and light bulb), 1933, gelatin silver print, 11 9/16 x 9 1/16 inches (29.3 x 23 cm), San Francisco Museum of Modern Art. See self-portrait and Surrealism.
Paul Strand (American, 1890-1976), Abstraction, Twin Lakes, Connecticut, 1916, depicted: Connecticut, United States of America, silver and platinum print, 32.8 x 24.4 cm (12 15/16 x 9 5/8 inches), Metropolitan Museum of Art, NY. See abstraction.
Paul Strand, Photograph - New York, no date, photogravure, 5 3/16 x 6 7/16 inches (13.18 x 16.35 cm), Minneapolis Institute of Arts.
Alexander Rodchenko (Russian, 1891-1956). See Russian art.
André Kertèsz (Hungarian, 1894-1985), Chez Mondrian, Paris, 1926, 1926, Los Angeles Museum of Modern Art. See Hungarian art.
Jacques-Henri Lartigue (French, 1894-1986)
Gertrude Fehr (German, 1895-)
Dorothea Lange (American, 1895-1965), Migrant Mother, Nipomo, California, 1936, silver print, 13 1/4 x 10 1/2 inches. See feminism and feminist art.
Dorothea Lange, The Road West, 1938, depicted: United States of America, gelatin silver print, 17.3 x 24 cm (6 13/16 x 9 7/16 inches), Metropolitan Museum of Art, NY.
László Moholy-Nagy (German, born Hungary, 1895-1946, active in the US), Untitled (Positive), c. 1922-1924, gelatin silver print from photogram negative, .237 x .178 m (9 5/16 x 7 inches), National Gallery of Art, Washington D.C. See Bauhaus, German art, and Hungarian art.
Berenice Abbott (American, 1898-1991), Eva le Gallienne, c. 1927, vintage silver print, 3 1/2 x 4 1/2 inches, National Museum of Women in Art, Washington, DC.
Berenice Abbott, Vanderbilt Avenue from East 46th Street, October 9, 1935, gelatin silver print mounted on paperboard, .237 x .165 m (9 5/16 x 6 1/2 inches), National Gallery of Art, Washington D.C.
Alfred Eisenstaedt (American, 1898-1995)
Brassaï (born Gyula Halász) (French, born Transylvania, 1899-1984), Couple d'amoureux dans un petit café, quartier Italie (Paris, France), c. 1932, printed c. 1970, gelatin silver print, 28.3 x 22.7 cm (11 1/8 x 8 15/16 inches), Metropolitan Museum of Art, NY.
Ralph Steiner (American, 1899-1986), Ham and Eggs, About 1934, gelatin silver print, Hood Museum of Art, Dartmouth College, NH.
"Weegee", Usher [or Arthur] Fellig (born in Lemberg [also know as Lvov], Austria [now Ukraine], 1899, moved to New York 1906, died in New York 1968), Woman Shot from Cannon, New York, 1943, gelatin silver print, 13 7/16 x 10 11/16 inches (34.1 x 27.1 cm), Museum of Modern Art, New York.
Weegee, The Critic, November 22, 1943, first published in LIFE, December 6, 1943. See distort and the ICP exhibit on Weegee's career.
See other examples:
Robert Adamson, Édouard Baldus, Hippolyte Bayard, Louis-Auguste Bisson, Mathew Brady, Julia Margaret Cameron, André-Adolphe-Eugene Disderi, Roger Fenton, Alexander Gardner, Josiah Johnson Hawes, David Octavius Hill, Félix Nadar [Gaspard-Félix Tournachon], Albert Sands Southworth, William Henry Fox Talbot, and Félix Teynard.
Rev. Charles Lutwidge Dodgson (aka Lewis Carroll), Thomas Eakins, Robert Howlett, Willaim Henry Jackson, Eadweard Muybridge, Timothy H. O'Sullivan, Jacob Riis, H. P. Robinson, and Carleton E. Watkins.
Jean Eugene Atget, Jessie Tarbox Beals, Anne W. Brigman, Edward Curtis, Frank Jay Haynes, Lewis W. Hine, Gertrude Stanton Käsebier, August Sander, Edward Steichen, Alfred Stieglitz, and Clarence H. White.
Ansel Adams, Margaret Bourke-White, Bill Brandt, Manuel Alvarez Bravo, Henri Cartier-Bresson, Harry Callahan, Robert Capa, Ralston Crawford, Robert Doisneau, Harold Edgerton, Walker Evans, Andreas Feininger, Yevgeni Khaldei, Wright Morris, Arnold Newman, Irving Penn, Aaron Siskind, W. Eugene Smith, Lou Stoumen, and Minor White.
Robert Adams, Diane Nemerov Arbus, Neil A. Armstrong, John Baldessari, Paul Caponigro, William Eggleston, Duane Michals, John Pfahl, Kenneth Snelson, David Hockney, and Joel Peter Witkin.
Becky Cohen, Jan Dibbets, Flor Garduño, Barbara Kruger, Annie Leibovitz, Robert Mapplethorpe, Richard Misrach, Tokihiro Sato, Cindy Sherman, Thomas Struth, and William Wegman.
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Also see Ambrotype, collodion wet plate, daguerreotype, digital photography, paper, photogram, photogravure, photomontage, photon, photorealism, Photoshop, and photoscreen.